Friday, January 29, 2010

Understanding the Learner Summary

UNDERSTANDING THE LEARNER

An outline of artistic development

· Quality of communication only one part of a total learner

· Recognizable images do not mean realism

· Children may be discouraged when they are unable to achieve the realism that they desire.

· Early Adolescents begin to understand more complex concepts, abstraction and representing 3-dimensional forms in 2-dimensional mediums. There is still some dissatisfaction with the level of realism

· Later adolescents are more accomplished realistic artists, and have a steady grasp of complex concepts like symbolism and expression and abstractionism

FIELDS OF HOLISTIC DEVELOPMENT

Cognitive Development

· Stage theory

o In Art & Psychology

o Development in children is clearly set stages

o Through experimentation, children discover flaws in their own thinking and evolve

o Moving form a stage of cognition to metacognition (awareness to self awareness )

· Socio-cultural theory

o Cognitive development is dictated by the social environment

o 2 prevailing factors: 1. the culture, which selects what to learn 2. Social interaction

· Multiple intelligence

o Individual learners

o cognitive domains, defined by unique problem solving processes

· Ages 2-4 Mark making

o By age 2, 70% adult brain capacity

o Banging. marking helps develop environmental awareness

o Unable to organize thinking systematically, cannot consistently direct their thinking

o Reflection leads to reasoning, consciously acting on new information, eventually symbolic representation

· Ages 4-7 Early symbol making

o Symbolic representational thought, constantly thinking

o More equipped thinkers, able to draw on resources and adapt reasoning

o Trouble differentiating internal and external realities ( dreams are real)

o Trouble perceiving other points of view, typically egocentric

o Here& now thinking

o Make their own languages(prototypes) to grapple with the ever increasing linguistic symbolisms they have to absorb

o Establishment of logical thought

· Ages 7-9 Symbol Making

o Thinking resembles adult’s, But still limited ability to think abstractly

o Concepts like time, distance, speed start to be developed

o Consistency is developed, thinking is much more organized and directed

· Ages 9-11 Emerging Expertise

o Transition towards adult thinking, abstract thinking develops from concrete examples

o Try to fit individual reasoning into the agenda of peer groups

o Start of active metacognition

· Ages 11-13 Artistic Challenges

o Thought no longer depends on concrete information,

o Consider many variables while problem solving, testing possible solutions

o Difficulty combining their talents into single projects

· Ages 14-17 Thinking Artistically

o Fully developed thinking ability, strong awareness of their own thinking and consideration of others’ thoughts and influences

o Able to draw upon a great deal of information and interpret it for their own purpose

o Thinking artistically, analytically, strategically, reflectively

Emotional/Moral Development

· Emotion plays a role in all forms of development

· 3 major view points: Behaviourism, Social Learning theory, Functionalist view

· Emotional development occurs sequentially, result of conditioning, modelling and new information

· Emotions a central adaptive force

· Moral decisions thought of concretely then intuitively, and then abstractly

· Ages 2-4 Mark making

o Understand the concept of right and wrong

o Little self regulation

o Based on instant gratification

· Ages 4-7 early symbol making

o As they begin to understand consequences, they also become more self regulatory

o Self control enables more understanding and empathy

o Fairness and sharing become more important

· Ages 7-9 Symbol Making

o Self regulation, strategized behaviour

o understand multiple sources for others’ behaviour, internalize societal norms

o accustom to reward & punishment systems

· Ages 9-11 Emerging Expertise

o Self governed, recognize the hypocrisy of ruling adults, recognize the differences between adults and peers behaviours.

o Developing strong ideals

· Ages 11-13 Artistic Challenges

o Roller coaster emotions, early adolescence, confusion of adult & child roles

o Establishing their own sense of right & wrong, as situational morality becomes more complex

· Ages 14-17 Thinking Artistically

o Tremendous emotional upheavals, Hormonal changes, not totally sure of their role

o Trouble controlling emotions, believe they’re unique, misunderstood, invincible

Social Development

· Understanding the self, others and relationships

· Highly complex, begins early

· From understanding one’s own behaviour, to abstract metacognitive social understanding

· Understanding the behaviours of others under different social circumstances

· Ages 2-4 Mark Making

o Have the ability to interact with others, and identify characteristics of individuals

o Form friendships

o Verbalizing thoughts is essential to understanding symbolic marks

· Ages 4-7 early symbol making

o Their world expands, and so too does their role and identity. Not only are they defined in relation to family, but also schoolmates, teachers and other people in their lives

o Friendships become important, they compare themselves to others and notices dissimilarities, increasing their visual vocabulary by describing the characteristics

· Ages 7-9 Symbol Making

o Strategies to deal with different groups, specialize their behaviour to different groups

o Recognize the decorum changes between games, school, home etc.

o Sense of self is strongly developed, able to make sophisticated comparisons

· Ages 9-11 Emerging Expertise

o Greater attention to gender and peer pressure, popularity, fitting in

o Define their accomplishments in relation to others, self esteem may decrease, lack of confidence in their ability may result in loss of interest in many activities

· Ages 11-13 Artistic Challenges

o All previous rules of social interaction are jeopardized in the transition to adulthood

o Awareness of sexual roles, alignment to groups based on gender

o Competition is even more important, tolerances for ‘others’ reduced, ostracism and self esteem issues are common.

o Conflicts are abundant

· Ages 14-17 Thinking Artistically

o Complicated, concerned about their identity and how they relate/appear to others

o Susceptible to gangs and cults as they search for acceptance and role

o Adoption of risky behaviour, and lack of foresight, suicide rate hi

o Mixed messages, especially about sex, look for role models

Lingual Development

· Behaviourist theories suggest that language is learned through imitation

· Nativist theories suggest that language is biologically ingrained into children

· The Interactionist theory suggests that both innate ability and social context combine

· Ages 2-4 Mark Making

o Verbal and visual mark communication linked

o Which sounds invoke the response they want?

o After the establishment of a few words their vocabulary soon expands to the hundreds

o Single action words lead to full sentences, even without full comprehension of the word

· Ages 4-7 early symbol making

o By age 4 they can engage in conversation, give & take discussions

o Use vocabulary with multiple meanings, develop complexity in descriptions

· Ages 7-9 Symbol Making

o Enter school with about 14 000 words

o Able to converse with many at once

o Subtleties of pronunciation, diction, meaning, understood

· Ages 9-11 Emerging Expertise

o By age 10, most have adult capacity for language, using metaphor, multiple meanings, sarcasm, humour, fairly large vocabulary

o Able to think about language as a system, leading to grammar, riddles, jargon, jabberwocky,

· Ages 11-13 Artistic Challenges

o Vocabulary has reached about 30 000, including many slang and abstract words

· Ages 14-17 Thinking Artistically

o Little change other than the addition of new words, some improvement in expression

Physical/Perceptual Development

·Uncoordinated

· Body & mental developments are not synchronized, the body and the mind have very specific schedules of their own

· ages 2-4 mark making

o Quadruple form birth by age 2, dramatic increases in motor skill & coordination

o When fine motor control is developing, the fingers begin to hold the tools, leading to greater dexterity

· Ages 4-7 early symbol making

o Fine motor skills, increased small muscle control, perceptive ability, distinguishing 2,3-D

o Use of space still undeveloped

· Ages 7-9 Symbol Making

o Increased fine & gross motor skills, complex physical activity

o Hand eye coordination improves, improving proportion and perspective, depth, distinguish 2 & 3 dimensions easily

· Ages 9-11 Emerging Expertise

o A lull in physical growth, though mental development is rapid

o Their physical inadequacy renders them unable to achieve many of their goals

o Without proper instruction, some skills wane

· Ages 11-13 Artistic Challenges

o Puberty starts, for some it is early, late, slow or rapid. Creating ample confusion

o Sexual characteristics develop, for many they are clumbsy

· Ages 14-17 Thinking Artistically

o Physical maturity, refined motor skills return, strength and flexibility improve

o Physical appearance becomes very important among women and men, many become sexually active.

o Sometimes body issues develop including, eating disorders and steroid use

Aesthetic Development

· Understanding of the art of the world, others and themselves.

· Multiple stages of aesthetic development in childhood and adulthood

· The stages of development are more aligned with art experience than with age

· Ages 2-4 Mark Making

o Curious, egocentric, immediate, kinaesthetic response to all stimuli

o Responses from abstract art also

o Usually unable to explain their preferences, but are able to relate images to their own life

o No grasp of complex artistic concepts such as artistic style or intent

· Ages 4-7 early symbol making

o Move toward subject matter: away from kinaesthetic

o Move away from intuition, towards logic & decision making about design

o More and more interested in realism

· Ages 7-9 Symbol Making

o Naturalistic representation is the purpose of art

o Opinionated, and clear, solid on their position,

o Are beginning to differentiate styles and medium, artists, and organize time continuum

· Ages 9-11 Emerging Expertise

o Start to think about artistic style and abstract concepts, composition, colour use, media

o Begin to define art on expressive and artistic level, not just realistic accuracy

o Expanded sense of time, and awareness of styles, allows them to date artwork

· Ages 11-13 Artistic Challenges

o Development of individual expression,

o Appreciate art by the principles of design

o Identify artist, period, style, media and technique. And apply to their own work

· Ages 14-17 Thinking Artistically

o Take the role of the artist, fully comprehend and analyze works

Development in Chronological Stages

· Mark Making(ages 2-4)

o The initial stage of artistic development

o Begins with accidental marks moving towards recognizable, standardized symbols

o Bases for numbers letters and images

o Academic achievement can be improved by freedom to make marks

o Switching between 4 distinct behaviours

o Manipulation

§ Kinaesthetic experience, unaware of symbols, or even marks

§ Usually hitting a mark maker on something for the sake of banging

§ Marks made in this way are called ‘bang dots’

§ Tools gripped with the whole hand, and manipulated with the whole arm

o Uncontrolled

§ The child has realized the relationship between the marks and the ‘marker’

§ experimentation in movements results in different types of marks

§ broad use of color and line types, but no forethought attached to decisions

§

o Controlled

§ After close observation, repetition builds, and conscious effort to produce lines

§ Establishment of figure-ground relationship

§ Improved motor skills and hand-eye coordination leads to shapes and controlled marks

§ expanding symbolic vocabulary

§ boundaries of the page are recognized

§ preferences in the tools, surfaces and colour begin to build

§ stories and naming pictures. = marks have meaning

o planned

§ Non-recognizable symbols, but carefully thought out, intent

§ Geometric accuracy, outlining, first step in realistic representation

§ Arranging shapes, preplanning

· Early symbol making(4-7)

o Early years of school, search for representative schema

o ‘suns’, people, numbers & letter first things represented

o Stick figures, repetition of simple shapes to define world

o Symbols undergo constant change, non logical procession esp. embellishments

o No weight on spatial relationships or accuracy of colour

· Symbol making (7-9)

o More interested in making, not what is produced, but are happy with their art

o Human figures are recognizable, improved visual organization, ground line, local colour

o Mulit-view point, x-ray, and other experimentations to find ways of depicting the image

o Many peculiar variations to resolve visual & spatial problems

o Strong motifs of their lives carried into whatever art they make.

· Emerging expertise(9-11)

o Move away from symbolic communication towards art as a creative endeavour

o Desire for very realistic representation, often accompanied by dissatisfaction in their art

o Short-hand images, cartooning, experiment with views other than frontal

o artistic desire develops ahead of ability, often

o development of a horizon line, replacing the multiple ground lines, thus introducing foreground, middleground and background.

o Manipulations of the visual plane, as well as other abstract concepts, such as hybrids

o Shift towards fantasy and social issues, observation and design, rather than their life

o Differentiation between gender themes takes place in this stage. Girls draw ‘girly’ etc.

o Strong preferences are developed, typically tools used for maximum detail 2-D

o 3-D work does not undergo the same gruelling criticism

· Artistic challenges

o Marks the end of most students formal art education

o Focus on the need to develop skill, critical awareness, emphasis on final product

o Realistic representation improves, proportion colour, space etc.

o Students set a standard of what is good or bad art

o Beneficial for students to track their own progress rather than compare to others

o Early attempts at perspective drawing, the principles of that applied

o Move towards emotive, or expressive art

· Artistic thinking( 14-17)

o Entry to adulthood, adult understanding of artistic concepts, art is a process

o Subject matter is open ended

o Less influenced by peers, increasingly developed personal style and focus

o Interest in other medias. 2 & 3 dimensional

o Interest in distortions and abstractions and other visual affects

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